€289.00
Net: €242.86
In stock
| HP | 24 |
| Depth | 40 |
| +12V | 80 |
| –12V | 80 |
The A-111-5 Mini Synthesizer Voice comes equipped with (almost) all features of the Dark Energy. – Including the luscious analog sound with sizzling, linear filter FM and aggressive, slightly dirty resonance.
The LFOs can go up into the audio range, meaning they are capable of creating frequency modulations with a biting character.
The A-111-5 module is likely your last chance to experience a Dark Energy. All of the desktop instrument’s synthesis modules are included; only a MIDI-CV interface and a case need to be purchased separately if needed. In addition to functioning as a fully analog sound generator, the A-111-5 also excels as a powerful filter bank with aggressive resonance and a wide range of modulation options. The AS3394—which, in its original form as the CEM3394, was also used in the Sequential Circuits Six-Track—delivers a classic-sounding tone. Thanks to patch points, it’s possible to combine the synthesizer voice with other modular equipment.
The A-111-5 features the following components:
- Voluminous sounding VCO generating a pulse wave with variable width. Additionally, a triangle or saw-tooth waveform can be added. For tuning the oscillator, there are a three-way octave switch and a potentiometer. The knob's range can be edited via a jumper. (+/- 0.5 octaves or +/- 2.5 octaves) For playing the VCO, there is a 1v / octave connector. FM and PWM modulation paths with attenuators allow users to influence the oscillator via a LFO or the ADSR envelope.
- Low-pass filter with a strong grip. The circuit has a slope of -24 dB per octave. In addition to the obligatory frequency and resonance knobs, there is a three-way key tracking switch. – Thanks to this, the filter can be played like a sine generator while self-oscillating. Optionally, this can also be done via a second 1v / octave voltage fed to the module via a patch point. Another highlight is the wet sounding, linear Filter FM. The VCO’s triangle waveform serves as the modulation source. Exponential filter FM is possible as well. Here, a LFO or the envelope is used as the modulation source. External sound material can be fed to the filter via an audio input. – Great for processing drums!
- VCA with level potentiometer. One of the LFOs or the ADSR envelope can be used for amplitude modulation with variable strength.
- ADSR envelope with range switch. (Long, medium, short)
- Two independently usable LFOs with triangle and square waves. The frequencies are determined by potentiometers and three-stage switches. Both LFOs go far into the audio range – Great for modulating the VCO’s frequency. The results sound very harsh and energetic.