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- Order number: 120429
- Depth: 40
The ADSR-VC2 is a dual envelope generator with two identical, independent ADSR units which can be both triggered simultaneously by one single trigger due to a normalized jack. All parameters (attack, decay, sustain release and the output level) can be voltage controlled. Besides short A, D and R times a switchable characteristic of the attack for punchy and crisp envelopes, but also long envelope times are possible of course.
We currently do not accept pre-orders for Cwejman products. If you are interested in this module, please use the availability notification. The number of Cwejman circuits is limited. Therefore, we recommend you to order online IMMEDIATELY when a module becomes available. Enquiries via e-mail or telephone are usually not fast enough. (More detailed information can be found on the product page.)
Attack time: 0.1ms to10s; decay time: 0.5ms-20s; sustain level: 0-8V; release time: 0.5ms-20s
characteristic of the attack changeable between logarithmic and exponential. Normal (0 to 8V) and inverted output (-8 to 0V)
ADSR parameters and envelope output level are voltage controllable (0 to 5V).
Gate/Trig reacts on a threshold of 2V or higher, Gate 2 In is pre-patched to Gate 1 In; Trig 2 in is pre-patched to Trig 1 in
All Cwejman modules are screened against interferences, protected against reverse polarity and contain calibration options on the backside. (See photograph.)
Attention: Unlike other manufacturers, the red stripe of Cwejman's flat ribbon cable indicates the positive +12 V rail, not the negative one!
englische Anleitung (pdf);http://www.cwejman.net/adsr-vc2.pdf; Sound On Sound 02-2007/Gordon Reid;http://www.soundonsound.com/sos/feb07/articles/cwejman.htm; Sound On Sound 01-2007/Gordon Reid;http://www.soundonsound.com/sos/jan07/articles/cwejman2.htm; Sound On Sound 12-2006/Gordon Reid;http://www.soundonsound.com/sos/dec06/articles/cwejmanvm1.htm
The history of Cwejman goes back to the 1970s with a bespoke fully analog synthesizer called the Synthra. After a long hiatus due to the heyday of digital synths, they returned in 1998 seeing that the interest in analog modular synths was catching up. Ever since, Cwejman has been a synonym of uncompromising engineering aimed to provide outstanding sound quality.