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- Order number: 120258
- Depth: 115
Digital delay with 16-/ 24-Bit resolution, 46.9kHz sampling rate and a maximum delay time of 3 seconds. It offers one mono input and two separate outputs for creating ping-pong delays. Control voltages can modulate the delay time and the dry/wet mix as well.
Technical data 46.9kHz sampling rate, 22kHz bandwith. AD- and DA converters work with linear PWM and 24Bit, although the RS390 workis with internally throughout with 16Bit.
The delay time can be set manually fron three time ranges: 1.75ms - 100ms; 8.7ms - 500ms and 52ms - 3000ms which means you can create effects ranging from chorus, flanger to echos. The first repeat in the left channel happens after 1/2 of the delay time; the first repeat on the right channel after a further 1/2 delay time - this is perfect for creating ping pong delay.
The Repeat Depth parameter controls the feedback level. Ath high settings you can create infinite delays, but take care of the level and distortion. Repeat Damping is a low pass filter in the feedback loop that will dampen each repeat which matches the behaviour of a real echo.
englische Bedienungsanleitung des RS-390 (pdf);http://www.analoguesystems.co.uk/pdf/RS390.pdf
Starting almost in parallel with Doepfer, Bob Williams established back in 1998 his own modular system with fine circuits reminiscent of the British tradition initiated with EMS in the 1970s. Despite offering initially a different power connector and panel width standard (which left a 1,5HP gap), all modules bearing the "N" on their names are adapted to work seamlessly with most eurorack cases. Still, it is worth checking the depth of your case.